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Cardiff's imposing Civic Centre is a vast complex including a City Hall and Law Courts by Lanchester & Richards, and the University College by W D Caroë. It was hailed as one of the most magnificent examples of civic planning in Britain but, in retrospect, its deeply conservative architecture also seems both arrogant and strangely out of touch with contemporary building in the rest of Europe.
The De le Warr Pavilion at Bexhill-on-Sea, Sussex, is a superb expression of all that is best about the Modern Movement. Commissioned by Lord De La Warr, mayor of Bexhill, and built by Eric Mendelsohn and Serge Chermayeff between 1933 and 1936, it was an attempt to make Bexhill as attractive as exotic French and Italian resorts. It goes without saying that it failed, but the recent restoration of the Pavilion's clean, sweeping lines is a cause for national celebration.
The Royal Festival Hall (Sir Leslie Martin and the Architecture Department of the London County Council, 1951) is all that survives of the complex laid out on London's South Bank for the 1951 Festival of Britain. The festival buildings were important for the opportunity they afforded of presenting a showcase for good modern architecture and Martin's concert hall, while not exactly earth-shattering, is a timely reminder of what good festival architecture looks like.
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