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nobler | иігілікті | благороднее |
slings | арқан | стропы |
outrageous | нашар | возмутительный |
opposing | кереғар | противоположные |
flesh | бой | плоть |
heir | мұрагер | наследник |
consummation | бітіс | завершение |
perchance | кездейсоқ | случайно |
rub | үку | тереть |
shuffled off | барды | поплелся |
coil | орауыш | катушка |
calamity | сорлылық | бедствие |
whips | қамшылар | кнуты |
scorns | жек көреді | презирает |
oppressor's contumely | Езушінің тіл тигізу | Угнетателя оскорбление |
pangs | беттің опынулары | угрызения совести |
despised | жек көру | презираемый |
insolence | арсыздық | наглость |
spurns | ашырқанады | отвергает |
quietus | түбіртек | квитанция |
fardel | ноша | ноша |
bodkin | шило | шило |
weary | шаршау | уставший |
H/w: To be, or not to be (from Hamlet 3/1)
William Shakespeare - To be, or not to be (from Hamlet 3/1)
To be, or not to be: that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles,
And by opposing end them? To die: to sleep;
No more; and by a sleep to say we end
The heart-ache and the thousand natural shocks
That flesh is heir to, 'tis a consummation
Devoutly to be wished. To die, to sleep;
To sleep: perchance to dream: ay, there's the rub;
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil,
Must give us pause: there's the respect
That makes calamity of so long life;
For who would bear the whips and scorns of time,
The oppressor's wrong, the proud man's contumely,
The pangs of despised love, the law's delay,
The insolence of office and the spurns
That patient merit of the unworthy takes,
When he himself might his quietus make
With a bare bodkin? who would fardel bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscovered country from whose bourn
No traveler returns, puzzles the will
And makes us rather bear those ills we have
The Development of Vowel System in Middle English and New English.
The Development of Consonant System in Middle English and New English
Word Stress/Accent:
In ME and NE word stress acquired greater positions freedom and greater role in word derivation.
Recessive tendency – stress in loan-words moved closer to the beginning of the word (e.g. in French words the stress is usually placed on the ultimate or pen-ultimate syllable, but the stress in the words of the French origin that penetrated into English has moved to the beginning of the word).
E.g. ME vertu [ver’tju:] – NE virtue [‘vз:t∫ə]
Rhythmic tendency – regular alternation of stressed and unstressed syllables (3 or more) that creates rhythm and has led to the appearance of the secondary stress.
E.g. ME diso’beien – NE ,diso’bei
Vowels
English vowels proved to be more changeable than consonants. Long vowels proved to be more changeable than short ones.
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