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Activity II.

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  1. Look at the following list. Write an appropriate activity or occasion for each of these items. Compare your ideas with a partner.
  2. Reading Activity

Task 1. Read the poem, explain by what lexical and syntactical means the category of cohesion is actualized.

Task 2. Read the text again, determine the means of realization of modality.

H.W. Longfellow

THE RAINY DAY

The day is cold, and dark, and dreary;

It rains, and the wind is never weary;

The vine still clings to the mouldering wall;

But at every gust the dead leaves fall,

And the day is dark and dreary.

 

My life is cold, and dark, and dreary;

It rains, and the wind is never weary;

My thoughts still cling to the mouldering past,

But the hopes of youth fall thick in the blast,

And the days are dark and dreary.

 

Be still, sad heart! and cease repining;

Behind the clouds is the sun still shining;

Thy fate is the common fate of all,

Into each life some rain must fall,

Some days must be dark and dreary.

SEMINAR 12

AUTHOR’S IMAGE AS A LITERARY TEXT CATEGORY

Discussion Points

1. The notion of the author of the narrative text. Internal and external aspects of the author’s textual presence. Image of the author (implied author).

2.The narrator in a literary text. Types of narrators:

a) with regard to the author (opposed to the authornot opposed to the author);

b) with regard to the textual world (outside the TWwithin the TW):

omniscient narrator;

authorial narrator;

narrator-personage; narrator-observer/ witness;

false author

3. Narrative voice.

a). Degree of perceptibility of the narrator in a literary text: (maximally overt/ medium/ maximally covert). The problem of “authorial silence”.

b). Stream of consciousness as a narrative technique.

c). Polyphony of the narrative.

4. The notion of the narrative perspective (focalization). Types of NP:

a) external (omniscient/unlimited) NP vs internal (concentrated/limited) NP;

b) constant NP vs variable/ multiple NP.

5. Facets of focalization:

c) perceptual (space, time);

d) psychological (cognitive and emotive orientation of the focalizer);

e) ideological.

6. Forms and types of speech in a literary text

Recommended Literature

1. Долинин К.А. Интерпретация текста (французский язык). – М.: Просвещение, 1985. – С. 181-220.

2. Домашнев А.К., Шишкина И.П., Гончарова Е.А. Интерпретация художественного текста. – М.: Просвещение, 1989. – C. 69-76.

3. Кухаренко В.А. Інтерпретація тексту. – Вінниця: Нова книга, 2004. – С. 139-197.

4. Стилистика английского языка / А.Н.Мороховский, О.П.Воробьёва, Н.И.Лихошерст, З.В.Тимошенко. – К.: Вища школа, 1991. – C. 211-234.

5. Брандес М.П. Стилистика немецкого языка. – М.: Высшая школа, 1983. – С. 223-236.

PRACTICAL ASSIGNMENT.

In the excerpts that follow, define:

A) the narrative perspective (focalization)

B) the type of narrator.




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